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Ferdinand Bol was one of the most prominent pupils and followers of Rembrandt van Rijn, for whom drawing played a central role in his workshop practice and teaching. This image of a man within a darkened interior before a window—perhaps a scholar or philosopher—is similar to compositions of saints as well as portraits that Rembrandt made in the 1630s and 1640s. Bol was quite interested in the theme, portraying similar figures in at least two paintings, ten drawings, and four etchings. Like Rembrandt, he employed an expressive but controlled use of ink wash, emphasizing the psychological interiority of the sitter with dramatic shading. The verso (back) of the drawing features a quick sketch by Bol after another of Rembrandt’s compositions, Tobit Healing his Father’s Blindness, 1640–45, held today in the CMA’s collection (1969.69).
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