0 – 9
2 obras
Arco San Carlo, Naples
etching and drypoint
Cleveland Museum of Art
U. S. S. Delaware
etching
Cleveland Museum of Art
1910 – 1919
10 obras
Picadilly Circus · 1913
etching and aquatint
20 × 27 cm
Cleveland Museum of Art
The Days of Ancient Rome: At the House of a Patrician · 1913
etching and drypoint
55 × 61 cm
Cleveland Museum of Art
Arteries of Great Britain · 1917
drypoint
Cleveland Museum of Art
Arteries of Great Britain: The Clyde · 1917
drypoint
Cleveland Museum of Art
Arteries of Great Britain: The Thames · 1917
drypoint
Cleveland Museum of Art
Arteries of Great Britain: The Tyne · 1917
drypoint
Cleveland Museum of Art
Hadrian Entering Salonica · 1918
etching
Cleveland Museum of Art
Temple of Baal · 1918
etching
Cleveland Museum of Art
Charing Cross: The Statue of Charles I · 1919
etching
Cleveland Museum of Art
Westminster Abbey · 1919
etching
Cleveland Museum of Art
1920 – 1929
32 obras
London · 1920
etching in brown, and drypoint, plate tone
27 × 25 cm
Cleveland Museum of Art
St. Paul's, London · 1920
etching and drypoint
Cleveland Museum of Art
The Baptistry, Florence · 1920
drypoint
Cleveland Museum of Art
The Venice Set: The Library of St. Mark’s · 1920
Etching, drypoint, and aquatint
11 × 17 cm
Cleveland Museum of Art
Arco San Carlo, Naples · 1921
etching and drypoint
Cleveland Museum of Art
The Villa Quintillii · 1921
etching and drypoint
Cleveland Museum of Art
Arteries of Great Britain: The Tyne · 1922
etching
Cleveland Museum of Art
The Clyde from the series The Arteries of Great Britain · 1922
etching and aquatint
14 × 30 cm
Cleveland Museum of Art
Durham Cathedral · 1923
etching and drypoint
Cleveland Museum of Art
Forty-second Street NY · 1923
etching in brown and aquatint
27 × 37 cm
Cleveland Museum of Art
Lower Broadway · 1923
drypoint
Cleveland Museum of Art
New York City: Battery Place · 1923
drypoint
Cleveland Museum of Art
New York City: 42nd Street · 1923
drypoint
Cleveland Museum of Art
Park Avenue, New York · 1923
drypoint
Cleveland Museum of Art
Downtown Manhattan from the East River, with the Woolworth Building · 1924
etching
22 × 15 cm
Cleveland Museum of Art
London Set: Bank (with the Royal Exchange) · 1924
etching on wove paper
11 × 15 cm
Cleveland Museum of Art
London Set: Horseguards · 1924
etching and drypoint on wove paper
9 × 14 cm
Cleveland Museum of Art
London Set: Piccadilly Circus (with Criterion Theatre) · 1924
etching on wove paper
11 × 17 cm
Cleveland Museum of Art
Lower Broadway, Down-Town New York · 1924
etching in brown, plate tone
27 × 23 cm
Cleveland Museum of Art
Trafalgar Square · 1924
etching, drypoint, and aquatint
23 × 33 cm
Cleveland Museum of Art
Herodias · 1928
etching
30 × 24 cm
Cleveland Museum of Art
Herodias: Frontispiece, Herodias appeared, coiffed in an Assyrian mitre to which a chin strap was attached to the front · 1928
etching
30 × 24 cm
Cleveland Museum of Art
Herodias: Page 13, The tetrarch was awaited by several Galileans, the master of scribes, the chief of the land steward, the manager of the salt mines, and a Jew from Babylon commanding his troops on horse · 1928
etching
31 × 24 cm
Cleveland Museum of Art
Herodias: Page 19, The ramparts were thronged with people when Vitellius entered the castle gates · 1928
etching
31 × 25 cm
Cleveland Museum of Art
Herodias: Page 27, The voice rose: Woe to thee, Pharisees and Sadducees, race of vipers, bursting with pride! · 1928
etching
31 × 24 cm
Cleveland Museum of Art
Herodias: Page 3, The citadel of Machaerus rose from the eastern side of the Dead Sea, on a peak of basalt, having the shape of a cone · 1928
etching
31 × 24 cm
Cleveland Museum of Art
Herodias: Page 39, The guests filled the banquet hall · 1928
etching
31 × 25 cm
Cleveland Museum of Art
Herodias: Page 45, But now beginning at the farthest end of the banquet hall a murmur of surprise and admiration. A young girl began to enter · 1928
etching
31 × 24 cm
Cleveland Museum of Art
Herodias: Page 47, Her feet stepped one before the other · 1928
etching
31 × 24 cm
Cleveland Museum of Art
Herodias: Page 53, The head entered and mannaeus held it by the hair, at arm's length, proud from the applause · 1928
etching
31 × 25 cm
Cleveland Museum of Art
Herodias: Page 55, Cul-de-lampe · 1928
etching
30 × 24 cm
Cleveland Museum of Art
Herodias: Page 7, The sun made the cliffs of white marble glitter, and the golden rays on its roof · 1928
etching
31 × 24 cm
Cleveland Museum of Art