1660 – 1669
38 obras
Cartouche (verso) · 1664
graphite
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore · 1664
pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink
38 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Piazza Colonna · 1664
pen and brown ink and brush and gray and blue wash over stylus and graphite; framing lines in brown ink
39 × 50 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Piazza Farnese (recto) · 1664
pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso) · 1664
pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Piazza del Popolo (recto) · 1664
pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink
39 × 50 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San Giovanni in Laterano (verso) · 1664
pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink
39 × 50 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Quirinale · 1664
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Sketch for San Giovanni in Laterano (verso) · 1664
graphite
39 × 50 cm
Cleveland Museum of Art
Eighteen Views of Rome: Santa Maria in Via Lata · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Campidoglio · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 50 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum) · 1665
pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink
39 × 51 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Castel Sant'Angelo · 1665
pen and brown ink and brush and gray wash over graphite; squared in graphite; framing lines in brown ink
38 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Church of Sant'Ignazio · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
38 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Church of Santa Maria in Vallicella · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Church of the Gesù · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto) · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso) · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Piazza Barberini (recto) · 1665
pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)
38 × 50 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso) · 1665
pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)
38 × 50 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Ponte Rotto · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
49 × 39 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria Maggiore · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Eighteen Views of Rome: The Trevi Fountain · 1665
pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
39 × 49 cm
Cleveland Museum of Art
Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso) · 1665
graphite
39 × 49 cm
Cleveland Museum of Art
Tracing of a Fountain from Recto and Sketches of Two Faces (verso) · 1665
black chalk
38 × 50 cm
Cleveland Museum of Art
"Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
Foro Romano from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
Frontispiece from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
Il Colosseo e l'Arco di Costantino from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
Piazza Colonna from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
Piazza Navona from "Prospectus Locurum Urbis Romae Insign[ium] · 1666
etching
42 × 55 cm
Cleveland Museum of Art
Piazza del Popolo from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
S. Giovanni in Laterano from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
Santa Maria Maggiore from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
St. Angelo from "Prospectus Locurum Urbis Romae Insign[ium] · 1666
etching
Cleveland Museum of Art
St. Peter's Basilica from "Prospectus Locurum Urbis Romae Insign[ium]" · 1666
etching
Cleveland Museum of Art
Trajan's Column from "Prospectus Locurum Urbis Romae Insign[ium] · 1666
etching
Cleveland Museum of Art