1550 – 1559
7 obras
The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night · 1555
gum tempera, ink, and gold on paper
20 × 14 cm
Cleveland Museum of Art
The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night · 1555
gum tempera, ink, and gold on paper
7 × 10 cm
Cleveland Museum of Art
The monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night · 1555
gum tempera, ink, and gold on paper
6 × 10 cm
Cleveland Museum of Art
The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night · 1555
gum tempera, ink, and gold on paper
11 × 10 cm
Cleveland Museum of Art
The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night · 1555
gum tempera, ink, and gold on paper
8 × 10 cm
Cleveland Museum of Art
The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night · 1555
gum tempera, ink, and gold on paper
10 × 10 cm
Cleveland Museum of Art
The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night · 1555
gum tempera, ink, and gold on paper
7 × 10 cm
Cleveland Museum of Art