1850 – 1859
13 obras
"The German troups received the formal order to spare private property" · 1852
black crayon and brush and brown, gray and red wash, heightened with white gouache
32 × 48 cm
Cleveland Museum of Art
An Idyll · 1852
black crayon
44 × 28 cm
Cleveland Museum of Art
Ava Mendelsohn · 1852
pastel
32 × 26 cm
Cleveland Museum of Art
In the Hospital (recto) · 1852
watercolor and gouache over black crayon
37 × 55 cm
Cleveland Museum of Art
In the Hospital (recto) Sketch for In the Hospital (verso) · 1852
watercolor and gouache over black crayon
37 × 55 cm
Cleveland Museum of Art
It Was Our House · 1852
black crayon, gouache and watercolor; framing lines in black crayon
41 × 57 cm
Cleveland Museum of Art
Seated Nude · 1852
brown, white, and black chalk
42 × 32 cm
Cleveland Museum of Art
Sketch for In the Hospital (verso) · 1852
black and red chalk
37 × 55 cm
Cleveland Museum of Art
The Client · 1852
black, brown, and white chalk
59 × 47 cm
Cleveland Museum of Art
The Germans Have Gone Away · 1852
gouache, watercolor, and gray wash over black crayon
33 × 50 cm
Cleveland Museum of Art
The Slavery in the North · 1852
black crayon, gouache, and watercolor
37 × 53 cm
Cleveland Museum of Art
The Suicide · 1852
watercolor and gouache over black crayon; framing lines in black crayon
37 × 45 cm
Cleveland Museum of Art
There is corn in the sea! · 1852
brush and black ink and watercolor over black crayon
37 × 53 cm
Cleveland Museum of Art
1860 – 1869
1 obra
Woman Seated · 1867
lithograph
Cleveland Museum of Art
1870 – 1879
17 obras
Instructions for the Day · 1870
lithograph
Cleveland Museum of Art
The Café of the New Athens · 1871
etching
25 × 18 cm
Cleveland Museum of Art
Right Profile of Man Wearing Tall Hat (verso) · 1875
Charcoal
32 × 25 cm
Cleveland Museum of Art
The Folies-Bergère · 1875
etching
18 × 25 cm
Cleveland Museum of Art
Woman Entering a Fiacre (recto) · 1875
Charcoal with black ink framing lines
32 × 25 cm
Cleveland Museum of Art
Woman Entering a Fiacre (recto); Right Profile of Man Wearing Tall Hat (verso) · 1875
Charcoal with black ink framing lines (recto); charcoal (verso)
32 × 25 cm
Cleveland Museum of Art
Encounter Under the Vault · 1878
etching
Cleveland Museum of Art
At the Restaurant · 1879
lithograph
Cleveland Museum of Art
Calvary · 1879
etching
Cleveland Museum of Art
Groupe de joueurs · 1879
lithograph
Cleveland Museum of Art
Le Decavé · 1879
lithograph
Cleveland Museum of Art
Madonna and Children · 1879
drypoint
Cleveland Museum of Art
Pierre Auguste Renoir · 1879
lithograph
Cleveland Museum of Art
Reading of the Barrister's Brief · 1879
etching
Cleveland Museum of Art
Seated Nude Woman from the Back · 1879
drypoint
Cleveland Museum of Art
Study of a Seated Woman · 1879
lithograph
Cleveland Museum of Art
The Miracle at Lourdes · 1879
lithograph
Cleveland Museum of Art
1880 – 1889
2 obras
Cafe Scene · 1880
etching
18 × 25 cm
Cleveland Museum of Art
The Walker · 1880
etching
25 × 18 cm
Cleveland Museum of Art
1890 – 1899
2 obras
At the Stock Exchange · 1895
lithograph
45 × 63 cm
Cleveland Museum of Art
In Greece · 1897
lithograph
Cleveland Museum of Art
1900 – 1909
11 obras
Court Recess · 1900
lithograph
Cleveland Museum of Art
Ambroise Vollard · 1905
lithograph
Cleveland Museum of Art
Portrait of Renoir, Third Plate · 1905
lithograph
Cleveland Museum of Art
Courtesan (recto) · 1906
black, red, and white chalk; framing lines in black chalk
25 × 22 cm
Cleveland Museum of Art
Courtesan (recto) Figure Sketches (verso) · 1906
black, red, and white chalk; framing lines in black chalk
25 × 22 cm
Cleveland Museum of Art
Figure Sketches (verso) · 1906
black and red chalk
18 × 21 cm
Cleveland Museum of Art
Chez l'Huissier · 1908
lithograph
Cleveland Museum of Art
Temoins à l'audience · 1908
etching and crayon
Cleveland Museum of Art
L'Avocat Parlant au prevenu · 1909
etching
Cleveland Museum of Art
Rest on the Flight into Egypt · 1909
drypoint
Cleveland Museum of Art
Sortie de l'Audience · 1909
etching
Cleveland Museum of Art
1910 – 1919
16 obras
Avant le repas à Emmaus · 1910
etching
Cleveland Museum of Art
Before the Supper at Emmaus · 1910
etching
Cleveland Museum of Art
The Miracle before the Blessed Sacrament · 1912
etching
Cleveland Museum of Art
"They Are Burning Everything - They must be about to Retreat" · 1914
black crayon and black wash heightened with white gouache
32 × 48 cm
Cleveland Museum of Art
Devastated Land (recto) · 1914
gray wash, watercolor, and gouache
38 × 53 cm
Cleveland Museum of Art
Devastated Land (recto); Figures in a Landscape (verso) · 1914
gray wash, watercolor, and gouache
38 × 53 cm
Cleveland Museum of Art
Figures in a Landscape (verso) · 1914
black crayon
38 × 53 cm
Cleveland Museum of Art
If they had been victorious - "You Have Two Hours in which to Sign" · 1914
black crayon and watercolor, over graphite and brown ink
34 × 42 cm
Cleveland Museum of Art
Reconquered Territory (recto) · 1914
black wash and watercolor over black crayon
37 × 53 cm
Cleveland Museum of Art
Reconquered Territory (recto) Two Figures on a Road (verso) · 1914
black wash and watercolor over black crayon
37 × 53 cm
Cleveland Museum of Art
The Man Who Fired upon Clemenceau · 1914
black crayon and black gouache
46 × 57 cm
Cleveland Museum of Art
Two Figures on a Road (verso) · 1914
black crayon
37 × 53 cm
Cleveland Museum of Art
Reclining Woman (verso) · 1915
black crayon?
19 × 21 cm
Cleveland Museum of Art
Soldier in a Trench (recto) · 1915
pen and brown ink and brush and brown wash
21 × 19 cm
Cleveland Museum of Art
Soldier in a Trench (recto) Reclining Woman (verso) · 1915
pen and brown ink and brush and brown wash
21 × 19 cm
Cleveland Museum of Art
At Versailles, July 1919 · 1919
black crayon, watercolor, and gouache, over graphite
38 × 51 cm
Cleveland Museum of Art