Retrato de Chōbunsai Eishi
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Chōbunsai Eishi

1756–1829 · Japón · 53 obras

Chōbunsai Eishi fue un destacado artista japonés de ukiyo-e. Nacido en el seno de una acomodada familia samurái que formaba parte del clan Fujiwara, fue alumno de Kano Eisen'in Michinobu. Vasallo directo del shogunato, dejó su empleo para el Shōgun Ieharu para dedicarse de lleno al arte. Sus primeros trabajos fueron grabados, en su mayoría retratos Bijin-ga, siendo uno de sus exponentes junto a Kiyonaga y Utamaro. Estableció su propia escuela y fue un prolífico pintor, antes de abandonar el diseño de imprenta para centrarse en la pintura.

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1750 – 1759

2 obras

Courtesan and Attendant · 1756–1829

92.7 × 40 cm

Museo Metropolitano de Arte

Courtesan with a Letter in Her Mouth · 1756–1815

80.4 × 33.2 cm

Museo Metropolitano de Arte

1760 – 1769

a los 4–13 años · 2 obras

Courtesan with Fan and Koto · 1767–1799

Museo Metropolitano de Arte

Three Beauties Viewing Cherry Blossoms · 1767–1829

32.1 × 70.2 cm

Museo Metropolitano de Arte

1770 – 1779

a los 14–23 años · 2 obras

The Salt Maidens, Matsukaze with Yukihira's Coat · 1775–1805

tinta
82.2 × 30.2 cm

Instituto de Arte de Chicago

The Salt Maidens, Murasame with Yukihira's Hat · 1775–1805

tinta
82.2 × 30.2 cm

Instituto de Arte de Chicago

1780 – 1789

a los 24–33 años · 8 obras

Three Women Strolling in the Countryside · 1780 · a los 24

wood engraving
38 × 26 cm

Cleveland Museum of Art

Omu the Parrot (from the series Seven Elegant Episodes from the Life of the Poetess Ono no Komachi) · 1785 · a los 29

color woodblock print
38 × 26 cm

Cleveland Museum of Art

The Courtesan Kisagata of Ohishiya Strolling at Night with Two Shinzo and a Kamuro · 1785 · a los 29

color woodblock print
38 × 25 cm

Cleveland Museum of Art

Women Chasing Crickets on an Autumn Moor · 1785 · a los 29

color woodblock print
37 × 25 cm

Cleveland Museum of Art

The Matsukaze Chapter of the Tale of Genji (from the series The Tale of Genji in Elegant Modern Dress) · 1786 · a los 30

color woodblock print
37 × 25 cm

Cleveland Museum of Art

The Matsukaze Chapter of the Tale of Genji (from the series The Tale of Genji in Elegant Modern Dress) · 1786 · a los 30

color woodblock print
38 × 25 cm

Cleveland Museum of Art

The Matsukaze Chapter of the Tale of Genji (from the series The Tale of Genji in Elegant Modern Dress) · 1786 · a los 30

triptych of woodblock prints; ink and color on paper
38 × 25 cm

Cleveland Museum of Art

The Matsukaze Chapter of the Tale of Genji (from the series The Tale of Genji in Elegant Modern Dress) · 1786 · a los 30

color woodblock print
38 × 25 cm

Cleveland Museum of Art

1790 – 1799

a los 34–43 años · 28 obras

Beauty in a Boat on Sumida River · 1790–1829

Museo de Arte de Cleveland

Kuronushi from the series The New Six Immortal Poets · 1790 · a los 34

color woodblock print
33 × 21 cm

Cleveland Museum of Art

Mounted Archer and Courtesan with Bow · h. 1790 · a los 34

Museo de Arte de la Universidad de Princeton

Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress) · 1790 · a los 34

color woodblock print
38 × 26 cm

Cleveland Museum of Art

Print from Women Resting in the Votive Picture Hall at Asakusa · 1790 · a los 34

woodblock print from a triptych; ink and color on paper
39 × 25 cm

Cleveland Museum of Art

Print from Women Resting in the Votive Picture Hall at Asakusa · 1790 · a los 34

woodblock print from a triptych; ink and color on paper
40 × 26 cm

Cleveland Museum of Art

The Courtesan Ariwara of the Tsuruya Seated by a Smoking Chest (From the series A Collection of Modern Beauties) · 1790 · a los 34

color woodblock print
24 × 18 cm

Cleveland Museum of Art

Woman Holding a Wooden Cup Stand Decorated with Chrysanthemums (from the series Elegant Pictures of the Five Seasonal Festivals) · 1790 · a los 34

color woodblock print
37 × 24 cm

Cleveland Museum of Art

Women in a Pleasure Boat on the Sumida River · 1790 · a los 34

triptych of woodblock prints; ink and color on paper
39 × 26 cm

Cleveland Museum of Art

Women in a Pleasure Boat on the Sumida River · 1790 · a los 34

woodblock print from a triptych
39 × 26 cm

Cleveland Museum of Art

Women in a Pleasure Boat on the Sumida River · 1790 · a los 34

woodblock print from a triptych; ink and color on paper
39 × 26 cm

Cleveland Museum of Art

Women in a Pleasure Boat on the Sumida River · 1790 · a los 34

woodblock print from a triptych
39 × 26 cm

Cleveland Museum of Art

Young Woman Kneeling by a Stand with a Ceremonial Cap (from the series The Six Immortal Poets in Elegant Modern Dress) · 1790 · a los 34

color woodblock print
36 × 23 cm

Cleveland Museum of Art

Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge · 1792 · a los 36

woodblock print from a pentaptych; ink and color on paper
39 × 26 cm

Cleveland Museum of Art

Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge · 1792 · a los 36

wooblock print from a pentaptych; ink and color on paper
39 × 26 cm

Cleveland Museum of Art

Beauty Replacing Her Hairpin · 1793–1803

tinta

Instituto de Arte de Chicago

Koto from the series The Six Arts in Fashionable Guise · 1793 · a los 37

Color woodblock print; ink and color on paper
37 × 25 cm

Cleveland Museum of Art

The Courtesan Takihime and Attendants (from the series New Patterns of Young Greens) · 1795 · a los 39

color woodblock print
39 × 26 cm

Cleveland Museum of Art

Party on the Pleasure Boat Kawaichimaru · 1796 · a los 40

One of a pentaptych of color woodblock prints
38 × 24 cm

Cleveland Museum of Art

Party on the Pleasure Boat Kawaichimaru · 1796 · a los 40

One of a pentaptych of color woodblock prints
38 × 24 cm

Cleveland Museum of Art

Party on the Pleasure Boat Kawaichimaru · 1796 · a los 40

Pentaptych of woodblock prints
38 × 24 cm

Cleveland Museum of Art

Party on the Pleasure Boat Kawaichimaru · 1796 · a los 40

One of a pentaptych of color woodblock prints
38 × 24 cm

Cleveland Museum of Art

Party on the Pleasure Boat Kawaichimaru · 1796 · a los 40

One of a pentaptych of color woodblock prints
38 × 24 cm

Cleveland Museum of Art

Party on the Pleasure Boat Kawaichimaru · 1796 · a los 40

One of a pentaptych of color woodblock prints
38 × 24 cm

Cleveland Museum of Art

Prostitute Standing Beneath a Cherry Tree · h. 1796 · a los 40

Instituto de Arte de Mineápolis

Women Beside a Stream Chasing Fireflies · 1796 · a los 40

woodblock print; ink and color on paper
39 × 25 cm

Cleveland Museum of Art

Moonlight [left of the pair Beauties in Spring] · h. 1798 · a los 42

Instituto de Arte de Mineápolis

Rain [right of the pair Beauties in Spring] · h. 1798 · a los 42

Instituto de Arte de Mineápolis

1800 – 1809

a los 44–53 años · 3 obras

Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” · 1800–1833

Museo Metropolitano de Arte

Beauty in a Boat on Sumida River · 1801 · a los 45

hanging scroll; ink and color on silk
192 × 53 cm

Cleveland Museum of Art

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons) · 1804–1815

Museo Metropolitano de Arte

1810 – 1819

a los 54–63 años · 2 obras

Shellfish and Apparitions of the Yoshiwara Pleasure Quarter · h. 1811 · a los 55

Museo Metropolitano de Arte

A Courtesan Reading a Letter · 1815–1830

tinta
87.5 × 31.1 cm

Instituto de Arte de Chicago

Sin año exacto

6 obras

A Prostitute and her attendants under a cherry tree

Instituto de Arte de Mineápolis

Mitsuhana of the Obishiya

Parrot Komachi

Prostitute at a Parade

Instituto de Arte de Mineápolis

River View in Snow

Instituto de Arte de Mineápolis

Untitled · siglo XVIII

papel

Museo de Bellas Artes de Bilbao