1400 – 1409
1 obra
page from the Apocalypse (The Locusts with the Angel of the Abyss and The Sixth Trumpet) · 1400
woodcut (blockbook), hand colored with watercolor
49 × 36 cm
Cleveland Museum of Art
1480 – 1489
1 obra
Offering of the Paschal Lamb from the German Bible published by Anton Koberger, Nürnberg · 1483
woodcut with hand coloring
Cleveland Museum of Art
1490 – 1499
1 obra
Three Studies of a Woman Wearing an Elaborate Headdress · 1495
Pen and brown ink; retouched with brush and brown wash, lead white (partially oxidized)
13 × 13 cm
Cleveland Museum of Art
1500 – 1509
4 obras
Apollo Flaying Marsyas (recto) · 1500
pen and brown ink and brown wash over black chalk
31 × 22 cm
Cleveland Museum of Art
Apollo Flaying Marsyas (recto); Two Sketches of a Mother and Child (verso) · 1500
pen and brown ink and brown wash over black chalk
31 × 22 cm
Cleveland Museum of Art
Head of a Man in a Cap · 1500
black and brown chalk
24 × 18 cm
Cleveland Museum of Art
Two Sketches of a Mother and Child (verso) · 1500
graphite
31 × 22 cm
Cleveland Museum of Art
1560 – 1569
1 obra
Copy of Cornelis Cort: Christ Giving the Key of the Church to Saint Peter · 1562
etching and engraving
28 × 20 cm
Cleveland Museum of Art
1600 – 1609
11 obras
Descent from the Cross · 1600
black chalk or crayon, and brush and brown wash, with traces of red chalk heightened with white gouache; framing lines in black ink (bottom)
43 × 28 cm
Cleveland Museum of Art
Design for a Monstrance · 1600
pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphite
77 × 43 cm
Cleveland Museum of Art
Five Figure Studies (verso) · 1600
graphite
10 × 15 cm
Cleveland Museum of Art
Head of a Woman · 1600
black and red chalk over graphite, heightened with white chalk (with additions? in yellow and orange pastel?)
23 × 16 cm
Cleveland Museum of Art
Holy Family · 1600
pen and brown ink and brush and brown wash over traces of black chalk or charcoal
10 × 8 cm
Cleveland Museum of Art
Lobster (recto) · 1600
brush and black, gray and brown wash, and red watercolor, heightened with white gouache
13 × 30 cm
Cleveland Museum of Art
Lobster (recto) Sketch of an Armoured Male Figure (verso) · 1600
brush and black, gray and brown wash, and red watercolor, heightened with white gouache
13 × 30 cm
Cleveland Museum of Art
Noli Me Tangere · 1600
red chalk, brush and brown chalk wash, brush and brown ink, with brush and red chalk wash and red paint, heightened with white gouache
25 × 33 cm
Cleveland Museum of Art
Sketch of an Armoured Male Figure (verso) · 1600
graphite (figure); pen and black ink (cross hatching); random paint and ink stains
30 × 13 cm
Cleveland Museum of Art
Two Men Tying a Bundle (recto) · 1600
graphite and red chalk
10 × 15 cm
Cleveland Museum of Art
Two Men Tying a Bundle (recto) Five Figure Studies (verso) · 1600
graphite and red chalk
10 × 15 cm
Cleveland Museum of Art
1610 – 1619
1 obra
Parade Horse · 1614
pen and brown ink and brush and brown wash over graphite
27 × 32 cm
Cleveland Museum of Art
1640 – 1649
1 obra
Ecclesiastic Seen from Behind · 1645
black chalk heightened with white chalk, squared with stylus
42 × 23 cm
Cleveland Museum of Art
1700 – 1709
6 obras
A Griffin Relief · 1700
black chalk, black crayon, and pen and black ink? heightened with white chalk
23 × 26 cm
Cleveland Museum of Art
Christ Administering the Host · 1700
red chalk with pen and brown ink, brush and gray and red chalk wash, over stylus
40 × 27 cm
Cleveland Museum of Art
Landscape · 1700
pen and brown ink and brush and gray and brown wash over graphite; framing lines in brown ink (left edge and bottom) and graphite (upper edge)
24 × 18 cm
Cleveland Museum of Art
Man Destroying Book · 1700
black chalk heightened with white chalk; framing lines in black ink
58 × 41 cm
Cleveland Museum of Art
Mercury · 1700
pen and brown ink and brush and gray wash over graphite
22 × 14 cm
Cleveland Museum of Art
The Ford · 1700
brush and brown ink heightened with white
19 × 14 cm
Cleveland Museum of Art
1790 – 1799
1 obra
Mme Vigée Lebrun · 1795
stipple engraving
Cleveland Museum of Art
1800 – 1809
20 obras
Allegorical Figure (recto and verso) · 1800
black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalk
40 × 25 cm
Cleveland Museum of Art
Allegorical Figure (recto) · 1800
black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalk
40 × 25 cm
Cleveland Museum of Art
Allegorical Figure (verso) · 1800
black and white chalk
40 × 25 cm
Cleveland Museum of Art
Cloud Study · 1800
watercolor
Cleveland Museum of Art
Cloud Study · 1800
Cleveland Museum of Art
Cloud Study · 1800
watercolor
Cleveland Museum of Art
Cloud Study · 1800
watercolor
Cleveland Museum of Art
Cloud Study · 1800
watercolor
Cleveland Museum of Art
Cloud Study · 1800
watercolor
Cleveland Museum of Art
Cloud Study · 1800
watercolor
Cleveland Museum of Art
Design for Ornamental Ceiling · 1800
pen and gray ink and gray, blue and yellow wash over graphite
32 × 22 cm
Cleveland Museum of Art
Harem Women · 1800
Graphite with white heightening and orange pastel
35 × 25 cm
Cleveland Museum of Art
Interior View · 1800
watercolor and pen and black ink heightened with white, shell gold, and touches of other opaque colors and with traces of graphite
30 × 43 cm
Cleveland Museum of Art
Julia Hulbert Hubbard · 1800
oil on canvas
76 × 64 cm
Cleveland Museum of Art
Portrait of Nicolas Toussaint Charlet · 1800
lithograph with chine collé
33 × 25 cm
Cleveland Museum of Art
Reclining Female Nude (recto) · 1800
graphite, with stylus and traces of red gouache(?)
34 × 23 cm
Cleveland Museum of Art
Reclining Female Nude (recto); Various Sketches of Figures and Plants (verso) · 1800
graphite, with stylus and traces of red gouache(?)
34 × 23 cm
Cleveland Museum of Art
The Old Grist Mill · 1800
lithograph
Cleveland Museum of Art
Two Women · 1800
black chalk heightened with white chalk, both with stumping (with spots of black ink and brown paint, unrelated to composition)
30 × 23 cm
Cleveland Museum of Art
Various Sketches of Figures and Plants (verso) · 1800
red chalk and graphite
23 × 34 cm
Cleveland Museum of Art
1820 – 1829
1 obra
Nuns · 1825
black and white chalk on gray laid paper
19 × 21 cm
Cleveland Museum of Art
1840 – 1849
1 obra
Rocky Cliff on a Coast · 1845
black chalk (stumped)
45 × 31 cm
Cleveland Museum of Art
1860 – 1869
3 obras
Sleeping Beauty (Dornröschen) · 1864
graphite with white heightening on medium-weight brown wove paper
18 × 23 cm
Cleveland Museum of Art
Execution of the Duke d'Enghien, 21 March 1804 · 1865
brown ink wash, pen and brown ink, with white and blue-gray gouache highlights on medium-weight wove paper
27 × 36 cm
Cleveland Museum of Art
Vanity Fair: Men of the Day, No. 2 "He suppressed an isthmus" · 1869
color lithograph
36 × 23 cm
Cleveland Museum of Art
1870 – 1879
1 obra
Vanity Fair: Statesman, No. 126 "An Arbitrator" · 1872
color lithograph
36 × 23 cm
Cleveland Museum of Art